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Anna Vilenskaya. European Tour 2026
Anna Vilenskaya. European Tour 2026
Anna Vilenskaya. European Tour 2026

Anna Vilenskaya. European Tour 2026

Anna Vilenskaya is a musicologist, lecturer and popularizer of classical and contemporary music. She is able to talk about complex things in a simple, entertaining and humorous way, helping listeners to hear music in a new way and understand how it works.

Locations

March 2026 (1 event)
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Anna Vilenskaya. European Tour 2026
08.04.2026 08.04.2026
08
Apr 2026
Wed, 19:00
Frankfurt am Main
Background music
Kulturhaus Frankfurt
Anna Vilenskaya. European Tour 2026
10.04.2026 10.04.2026
10
Apr 2026
Fri, 19:00
Luxemburg
Musical Hearing: Operating Instructions
Centre Culturel Altrimenti
Anna Vilenskaya. European Tour 2026
29.03.2026 29.03.2026
29
Mar
Sun, 18:30
Paris
Hit or hype? Natasha Panfilova
Maison Saint François Xavier
Sale is over
Anna Vilenskaya. European Tour 2026
04.04.2026 04.04.2026
04
Apr
Sat, 19:00
Hamburg
Bach: great, but at what?
Tschaikowsky-Saal
Sale is over
Anna Vilenskaya. European Tour 2026
06.04.2026 06.04.2026
06
Apr
Mon, 19:00
Stuttgart
How electronic music smoothly changed people's hearing
Sängerhalle
Sale is over
Anna Vilenskaya. European Tour 2026
07.04.2026 07.04.2026
07
Apr
Tue, 19:00
Frankfurt am Main
Pink Floyd and psychedelic rock: what was it?
Kulturhaus Frankfurt
Sale is over

Event description

Anna Vilenskaya is a musicologist, lecturer and popularizer of classical and contemporary music. She is able to talk about complex things simply, entertainingly and with humor, helping listeners to hear music in a new way and understand how it works.

The topic of the lecture: Hit or Hype? Anna Vilenskaya and Natasha Panfilova

Debates between musician and marketer about the power of algorithms over the culture of taste and where hits are born: in the studio or in the marketing department.
Intellectual battle and performance in Paris with the audience, who with the help of real-time voting will decide whether the talent of the artist or the engineering of attention from his team is behind the hits of the 21st century?

What's in store for you

  • A breakdown of the hits that the whole world knows
  • Explanation of why these particular songs "shot up"
  • musical experiments and mini-performances
  • marketing tricks that make the track viral
  • interactive: the audience votes on who is more convincing
  • light atmosphere, humor and lively communication

Theme of the lecture: Bach: great, but by what?

It seems it's time to talk about Bach. Musical history textbooks begin with him. He was listened to and respected by his contemporaries, classical, romantic and modernist alike. But what did Bach do that was so special? Let's talk about how he combined lines into polyphonic fabric, how he arranged musical actionism, and how his approach differed from his contemporaries. Basically, let's try to understand why Bach is so special. No prior knowledge of any music is necessary.

Lecture topic: How electronic music smoothly changed people's ears

In this lecture we will talk about how people invented electronic instruments and how this changed people's attitude towards timbre and rhythm. We will talk about specific music, the first drum machine, rap, computer games, the Beatles' "White Album," Steve Reich, The Prodigy, and Radiohead favorites. No prior knowledge of any music is necessary.

Lecture topic: Pink Floyd and psychedelic rock: what was it?

Pink Floyd are some of the most unusual rockers of the 20th century. Their songs stretch for 17 minutes, if not more. Their music is commonly referred to as "psychedelic" rock, but if you put aside the cultural peculiarities of the time, it's not very clear how else to describe the unusual style of rock music that Pink Floyd practiced. Let's try to do it! In the lecture we will get to know Pink Floyd songs to like them and the history of the band to understand them. No prior knowledge of any music is necessary.

Lecture topic: Background Music

"Background music" is a very new concept. Only the 20th century could afford it, and at first composers had very different ideas about how to compose it. Let's talk about how our brains perceive background music, how Brian Eno prilumal soothes passengers in aerophobia with ambient, who wrote music for elevators, and how they compose melodies that sound on hold on telephone lines. After all, it's background music that holds the imprint of an era, like Frutiger or retrowave music. Let's take background music seriously and find the beauty in it. No prior knowledge of any music is necessary.

Lecture topic: Musical Hearing: Instruction Manual

It is not uncommon to hear the phrase: "I have no musical hearing", "a bear stepped on my ear". Maybe you even once uttered it yourself. In reality, this is not the case: all hearing people develop a complex set of several components of musical hearing in the first years of life. If you think that everyone has it, but you don't - come to the lecture and let's experiment together on your sense of fret and relative hearing.
We will check whether you have musical synesthesia - a phenomenon in which sounds turn into colors, and find out whether we see chords in the same colors. After the lecture, you will leave with an understanding of how to train your musical ear, how to use it properly, and most importantly, with the feeling that no bear has stepped on your ear.
 

Event feedback

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